Watchmen #10-12 (1987) and Watchmen movie (2009)

Watchmen #10-12 [Grand Comics Database links: 10, 11, 12; Comic Book Database: 10, 11, 12]
(July 1987, August 1987, October 1987)
DC Comics
(Version read: Watchmen trade paperback edition (1987) [LibraryThing] [Amazon])

Credits:
Writer: Alan Moore
Penciller: Dave Gibbons
Inker: Dave Gibbons

Series Notes: Numbers 10-12 of a 12 issue limited series. Each issue has a primary story (#10: "Two Riders Were Approaching...", #11: "Look on My Works, Ye Mighty...", ) and secondary back up text features (#10: an assortment of various memos to and from Adrian Veidt (Ozymandias) to others in his company; #11: "After the Masquerade: Superstyle and the art of humanoid watching", a supposed interview article with Veidt); with the exception of issue #12, which has only one story ("A Stronger Loving World") and no back-up text feature.

Comments: (Note: I go into spoilers, here.) Issue number ten focuses entirely on Nite Owl and Rorschach's investigation into the true identity of the "mask killer, and on Adrian Veidt (Ozymandias) in his facility in Antarctica (plus, running in the background, the continuation of the grisly Tales of the Black Freighter horror/pirate comic book story). By two-thirds through the issue, Nite Owl and Rorschach realize that their trail leads to Ozymandias and the travel to Antarctica to confront him. Issue eleven gives us that confrontation (and the conclusion of the Tales of the Black Freighter comic book story). Nite Owl and Rorschach are unable to defeat Ozymandias, who is more than happy to explain his plan to destroy most of New York City (making it look like an attempted alien invasion in the process) in order to engineer peace talks between the United States and the Soviet Union. A plan which, as he explains, he'd already initiated thirty-five minutes before Nite Owl and Rorschach had even arrived. Cue big white explosions in NYC. Issue twelve brings Dr. Manhattan and Silk Spectre 2 back into things as they return to Earth to find NYC destroyed. Dr. Manhattan quickly surmises what has happened and the two of them join Nite Owl and Rorschach in confronting Ozymandias. At first, they do battle with Ozymandias. But, soon, Dr. Manhattan realizes that Ozymandias is correct and that, as horrific as his methods were, Ozymandias had indeed engineered a peace between the world's nuclear superpowers, who had reached near critical zero and were seconds away from launching nuclear bombs at each other. Nite Owl (Dan) and Silk Spectre (Laurie) reluctantly agree to keep the secret of what exactly has happened. Rorschach, however, is unable to compromise in his convictions and leaves to tell the world what Ozymandias has done. Dr. Manhattan cannot allow him to do this so he kills Rorschach out in the Antarctic snow. Dr. Manhattan then leaves Earth seemingly for good, and Dan and Laurie begin a new life together under new identities.

After reading the entire series, I can appreciate the intricate world Alan Moore and Dave Gibbons created here. Watchmen is much more than just a homage or knock-off of the Charlton superheroes which Moore had originally wanted to feature in this story. Moore's created a generational look at superheroes, something that other comics titles had touched upon in the past but rarely to this extent. He patterned the history of this world in some ways on how comic book heroes developed in the real world (a grouping of normal, human, characters in the 1940s who decide to put on costumes and fight crime for various reasons, indicative of the "Golden Age" of comics; the coming of Dr. Manhattan in the 1960s indicative of the more science fiction based superheroes of the "Silver Age" of comics). Furthermore, he placed these costumed heroes in a world darker than any seen before. This is violent world where heroes die and the threat of nuclear armageddon is ever present. Every character has some flaw or sense of inner conflict, some deeper than others. But, for the most part, Moore has crafted interesting characters to focus on throughout this twelve issue epic.

I have to say, however, that I think I enjoyed the middle chapters the best, the ones where we found out each of the primary characters' back stories, and their relationships with each other in the present. I particularly enjoyed the scenes with Dan (Nite Owl 2) and Laurie (Silk Spectre 2), and Dan and Rorschach. By the last couple of issues, some elements of the conclusion had already become obvious (although Moore and Gibbons still manage to makes those events compelling to experience). (I will admit that the eleventh issue, in the scenes detailing Ozymandias' background and goals, does get a bit bogged down with excessive exposition. Fortunately, this rectifies itself when Dan and Rorschach arrive to confront him.)

Overall, I am pleased with Watchmen and can see why it made the impact that it did upon the comics industry. What I cannot experience, however, is what it must have felt like to read this back in 1986-87 which such a "dark" depiction of the world of superheroes would have been seen as something new and innovative. By the 1990s and 2000s, however, such stories are pretty much the norm.

And, while I'm at it, let's go ahead and talk about Watchmen the movie (2009). I saw it this evening. I was amazed at how much of the original twelve issue comic book series they were able to squeeze into a 162 minute movie. Yes, they made some changes. But for the most part, they remained extremely faithful to the comic, to the point of framing many of the scenes exactly as they'd been framed in the comics. And the casting in this movie is brilliant in regards to the actors resembling their comic book counterparts (especially the man who plays Dan Dreiberg/Nite Owl 2). My only real negative I have about this is that it really almost is too much to put into one movie. By the last thirty minutes or so, I have to admit it, I was starting to get mentally tired. And I had the benefit of having just read the comic book series. I have to wonder just how much of the movie was lost upon those who had not read the comics?

But I am glad that I took the time to finally take the Watchmen trade paperback off of my shelf to read it after all these years of hearing about it, and to go see the movie it inspired. I'm thinking that I will most likely be buying the DVD at some point to add to my collection. (Note: The movie, like the comic, is decidedly not for children. They both feature pretty explicit violence, language, and some nudity/sexual situations. The movie is rated R because of it. So, this one is for the grown-ups, not the kiddies!)